Exercise 3.2


Start by doing your own research into some of the artists discussed above. Then, using slow shutter speeds, the multiple exposure function, or another technique inspired by the examples above, try to record the trace of movement within the frame. You can be as experimental as you like. Add a selection of shots together with relevant shooting data and a description of your process (how you captured the shots) to your learning log.


This exercise sounds easy in concept but in practice it’s a little more difficult.
Most of these difficulties were self-imposed as I always try to find something a little different from the mainstream.
Armed with my new camera and tripod I went out over a period of many weeks seeking some good movement shots.
I tried slowing the shutter and allowing the subject to move through the frame.
I tried panning, a technique I will have to work on a lot more.
I also tried to keep my ISO as close to 100 as I could.
The OCA student guide says not to use Auto ISO so I tend to forget the setting as I’m going along.











For this exercise I looked at photographers such as Robert Capa, Robert Frank and the one I really liked was the OCA student with Parkinson’s disease.

I agree with Gerry Badger regarding Francesca woodman’s work, you only have to look at it to know she was a troubled soul; dark and troubling images that probably reflected her feelings of despair.


Motion can be either implied such as an object caught still even though it must be moving such as a plane in flight or shown as in a moving bus at night. As this exercise called for movement within the frame I chose the latter as it’s more obvious to the viewer and that’s what I wanted to show.


I tried in part to imitate some of the Photographers mentioned. The bicycle rider was taken as the sun went down on the King’s road and the Bus was taken near Fulham Broadway station. The first was handheld and shaky with the long exposure, I added tilt so as to differentiate it from my fellow student and the second was tripod mounted, the girl in the poster had a haunting effect on me so I decided to wait until a bus went past. The others where standard longer exposures to catch motion, I’m particularly fond of the landing geese and the fountain that looks like a firework display.


Assignment 2 : Collecting

Brief :

Create a series of between six and ten photographs from one of the following options, or a subject of your own choosing:
• Crowds
• Views
• Heads
Use the exercises from Part Two as a starting point to test out combinations of focal length, aperture and viewpoint for the set.

Decide upon a single format, either vertical or horizontal.

You should keep to the same combination throughout to lend coherence
to the series.
• Crowds make a great subject for photography, not least because they are so contemporary.

A city rush hour is a good place to start but events also offer great
opportunities to photograph the crowd rather than the event.

The foreshortened perspective of the telephoto lens will compress a crowd, fitting more bodies into the frame, but it can also be used to pick out an individual person.

A wide-angle lens can capture dynamic shots from within the action.
• If you choose to make a collection of views you need to be prepared to do some walking so keep the weight of your equipment to a minimum – you’ll walk further and see more.

A tripod will be important to allow you to select a combination of
small aperture and slow shutter speed to ensure absolute sharpness throughout the frame.
The weather and time of day will be crucial, whether for urban or landscape views.
A wide-angle lens is the usual choice but Ansel Adams also used a medium telephoto to foreshorten the perspective, bringing the sky, distance and foreground closer together.
• Heads: Frame a ‘headshot’, cropping close around the head to avoid too much variety in the backgrounds.

The light will be paramount and a reflector is a useful tool (you
can ask the subject to hold it), throwing light up into the face, especially the eyes.
The classic headshot is buoyant but neutral which is quite difficult to achieve, but try to achieve a natural rather than an artificially posed look.

Introduction :

I mused over this Assignment for longer than it took to Photograph.
Do I do an assignment based on crowds, views and heads or do I step out onto a limb and try something different ?
Looking at collections I came across an article in the NY times about Henry Buhl and a collection of photographs he auctioned off in 2012, this was a collection of prints from such famous photographers as Stieglitz and Moholy-Nagy.
It consisted of nothing but hands.
“There are hands as gesture, hands as objects, hands as emotion,” said Denise Bethel, director of Sotheby’s photography department.
I didn’t want to copy others work and I wanted to tell a story but what ?
Today me and my friend went to the park, I to look for inspiration and he to burn through the last of a roll of 120 film.
The reactions of people in the park to his Large tripod and Bronica got me thinking, how many people outside the industry actually know how Photo’s used to be taken ?
So I decided to combine the hands theme and tell a story of what it used to take you to obtain an image.

Process :

I took several images hand-held of each major step of the process.
Using the widest aperture I could so as to try to isolate not just the subject, his hands; but I found I had to use various points of view to include just enough of the camera to tell the story.
A collection of images in sequence which I hoped would satisfy the brief and still be interesting and different.

Photograph’s :

55mm. f5.6 1/250th. sec. ISO 100

52mm. f5.6 1/200th. sec. ISO 100

52mm. f5.6 1/100th. sec. ISO 100

35mm. f4.5 1/500th. sec. ISO 100

36mm. f4.8 1/320th. sec. ISO 100

36mm. f4.8 1/60th. sec. ISO 100

36mm. f4.8 1/60th. sec. ISO 100

34mm. f4.5 1/400th. sec. ISO 100

55mm. f5.6 1/200th. sec. ISO 100

55mm. f5.6 1/250th. sec. ISO 100

55mm. f5.6 1/320th. sec. ISO 100

55mm. f5.6 1/400th. sec. ISO 100

55mm. f5.6 1/200th. sec. ISO 100

55mm. f5.6 1/200th. sec. ISO 100

55mm. f5.6 1/200th. sec. ISO 100

55mm. f5.6 1/200th. sec. ISO 100

55mm. f5.6 1/320th. sec. ISO 100

36mm. f4.8 1/320th. sec. ISO 100

50mm. f5.6 1/60th. sec. ISO 100

Built in flash.




Evaluation :

Overall the series achieved what I set out to do, a collection of hand Images that portrayed a story.
The various viewpoints were necessary to show the process of photography of yester year.
I am still plagued by this kit lens not giving a shallow enough depth of field in order to isolate my subject.
I may revisit this subject when I have a faster lens.


Reflection :

I think I satisfied the brief, it is a collection and the basic format was maintained throughout.
The subject matter would, I think be of interest to those whose only exposure to photography has been during the digital age.
The reaction of those around us was mainly of curiosity, children especially wondered what the big box was.
As for the assessment criteria I think I satisfied the technical and visual skills part.
I also believe I satisfied the quality of outcome, demonstration of creativity and the context sections.
Could I do better or improve, sure I can and will.
As always I view myself as a work in progress.

Expressing Your Vision

Assignment 1 : Square Mile

Brief :

Make a series of six to twelve photographs in response to the concept of ‘The SquareMile’.

Use this as an opportunity to take a fresh and experimental look at your

You may wish to re-trace places you know very well, examining how they might have changed; or, particularly if you’re in a new environment, you may wish to use photography to explore your new surroundings and meet some of the people around you.

First Impressions


This being my first time in school for almost forty  years is a daunting prospect and this first introductory assignment was tough for me.

Let me be clear here, I don’t like London; It’s full of noise, pollution and people who have no clue where they are ( just ask a local for directions to somewhere ) and the traffic is insane.

But it’s where I ended up after two years of homelesness.

So bearing that in mind I was given the above brief.

What would or could I do when I have no attachment to the city I’m living in?

I decided to approach it from the idea London conjured up in my mind and tried to express what it is to me and what views others may form of it.


The equipment I used for all these Photo’s was the same, a Nikon D5200 and the kit 18-55 mm lens.

All of the images were lightly post processed using Photoshop CC and lightroom CC.

Mainly a little horizon levelling, a small ammount of sharpening and some cropping where necessary.


The lost.

The homeless.

The kind.

The young.

The traffic.

The relaxed.

The game.

The Law.

The Thames.

The scary.

The war scarred.

The memorials.

The Proof sheet.


Research and Analysis.

I didn’t do any research for this first assignment as it’s a none scoring section and I had to devote many hours in getting up to speed on Photoshop CC and Lightroom CC both by Adobe.

I’d used Nikon Capture NX2 previously and still prefer it over Phoshop and View NX blows Lightroom away, at least for the light editing I do.

I also had to devote a lot of time working out WordPress.

Most of my references to these three programs, I’m old skool I don’t call them apps; where mainly on you tube.

I have found Chelsea and Tony Northrup’s you tube chanel and the two books I purchased on the Adobe programs to be invaluable.

Their Weekly videos are very entertaining and informative.

I also watched various videos from Jason Lanier and a TV show on BBC4 about the beginnings of British Photography.



As previously stated I spent an awful ammount of time and money getting up to speed on the Industry standards, Lightroom CC and Photo shop CC both by Adobe.

Compared to Capture NX2 by Nikon they are very complexed and not as intuitive, I have still to find an easy and quick way to level the horizon in Lightroom CC for example.

What went well ? The photo with the lady and the pram turned out much better than I could’ve imagined considering I was hand holding at a low shutter speed and using a technique I’d never attempted before.

What went Poorly ? a lot, I still have a lot of shots with camera shake in them which I’ll have to concentrate more on eliminating and I still have a lot to learn regarding  software such as Adobes Photo shop CC.

Did I meet the criteria for the assignment ? I think so but as usual I’m my own worst critic, nothing is ever good enough and I have a lot to learn.